These WIPs are kinda addictive. Here is one for Thursday’s post.
For this one I did a tonal study on site as well as the photo. It was a bit awkward because I didn’t have anywhere to sit, and there was no shade.
I use a sharp white pencil to reserve small areas, it works quite well when I want to create light lines against a dark background. Like the railing on the dock, and the sailboats against the distant shore.
Here is another work-in-progress. The photo was first heavily cropped. The next image is just the pencil crayons before adding any water. After adding the first wash I work into it again with more pencil. I use several different kinds but mostly Derwent brand; Inktense, Graphitint and regular coloured pencils as well as aquarelles.
Al Hirschfeld was a truly original artist famous for his caricatures of celebrities. He depicted stage and screen personalities, capturing the magic of American theatre with his line drawings.
He was born in St. Louis in 1903. When he was eleven years old, an art teacher informed his mother, “There is nothing more we can teach him in St. Louis.” The family moved to New York and soon he was enrolled at the Art Student’s League. By the age of 17, Hirschfeld was an art director at Selznick Pictures. He held the position for about four years and then in 1924 moved to Paris.
In 1943, Hirschfeld married one of Europe’s most famous actresses, the late Dolly Haas. They were married for more than 50 years. His daughter Nina was born in 1945, and ever after Hirschfeld hid her name at least once in each of his drawings. The number of NINAs concealed is shown by an Arabic numeral to the right of his signature.
Hirschfeld was initially attracted to sculpture and painting but this gave way to his passion for pure line. His devotion to line stems from his respect for absolute simplicity. He is quoted as saying:
When I’m rushed I do a complicated drawing. When I have the time, I do a simple one.”
Over his 82-year career Hirschfeldâ€™s work appeared in nearly every major publication and on everything from book and record covers to postage stamps.
Although Hirschfeldâ€™s work is described as â€˜caricatureâ€™, he does not mock his subjects. He had tremendous affection for the people he drew and his affection is clearly communicated in his work. In fact, it is considered an honour to be drawn by Hirschfeld, and many celebrities own their Hirschfeldsâ€.
He died in 2003 at the age of 99, he was working up until shortly before his death
A perennial question that continues to come up in various fora that I belong to. Also one to which I, like most “artists”, have given a great deal of thought. I thought I would do a series of posts on the subject, as much to organize my own thoughts on the matter as anything. My first is just a quote from Wikipedia
Art refers to a diverse range of human activities and artifacts, and may be used to cover all or any of the arts, including music, literature and other forms. It is most often used to refer specifically to the visual arts, including media such as painting, sculpture, and printmaking. However it can also be applied to forms of art that stimulate the other senses, such as music, an auditory art. Aesthetics is the branch of philosophy which considers art.
Traditionally the term art was used to refer to any skill or mastery, a concept which altered during the Romantic period, when art came to be seen as “a special faculty of the human mind to be classified with religion and science”.
Generally art is a (product of) human activity, made with the intention of stimulating the human senses as well as the human mind; by transmitting emotions and/or ideas. Beyond this description, there is
no general agreed-upon definition of art. Art is also able to illustrate abstract thought and its expressions can elicit previously hidden emotions in its audience.
I went to Riverbrink today, Jonathan was playing at their open house and I have been meaning to go there for years. They have a lovely location and an impressive collection, supplemented at the moment by loans from galleries in New York.
Samuel Edward Weir, Q.C. was born in 1898, and was a lawyer in London, Ontario. He began collecting art in his twenties; pieces by Homer Watson and Dame Laura Knight (I hadn’t known her work before, really nice) were among the first. In the 1940s he bought land along the Niagara River, in the village of Queenston and built a house there which he called Riverbrink. He retired there in 1970 and died in 1981, leaving his home and art collection in the care of The Weir Foundation. It officially opened as a gallery and museum on June 15, 1983.
Exhibits are changed annually, with almost 200 artworks on display each year. Of 1,000 or so pieces of fine art in the collection, almost seventy percent are Canadian. The other thirty percent is by American and European artists, including pieces by Jacob Epstein and Augustus John.
This is a pretty impressive collection, especially with the addition of the extra paintings currently on loan from a couple of galleries in New York. My favourites are probably, the Augustus John sketches of Canadian soldiers from WW1, the oil study for “The Jack Pine” by Tom Thomson and a charming and very typical Paul Peel that would probably have got him put in jail for kiddie porn if he painted it today. Also the Laura Knight charcoal and watercolour paintings are lovely.
“A man who works with his hands is a laborer; a man who works with his hands and his mind is a craftsman; but a man who works with his hands and his brain and his heart is an artist.”….. St. Thomas Aquinas Just found this on someone else’s blog. I will check the attribution.
Just goes to show you should always check attribution. On further research I have discovered that this quote has also been attributed to Louis Nizer who was also supposed to have come up with “A beautiful lady is an accident of nature. A beautiful old lady is a work of art.”
Of course Nizer lived several hundred years after St. Thomas, so it might have been an appropriation.
St. Thomas apparently did say: ” The test of the artist does not lie in the will with which he goes to work, but in the excellence of the work he produces.“